Showing posts with label Venice. Show all posts
Showing posts with label Venice. Show all posts

Saturday, February 28, 2026

Book review : The Venetian Heretic by Christian Cameron | A High-Stakes Historical Mystery

Book cover of The Venetian Heretic by Christian Cameron

The Venetian Heretic
by Christian Cameron


GENRE : #Historical-action-mystery #Swashbuckling #RapierandDagger

My rating: ★★★★★+ 1⭐ Special Golden Star

Beyond the 5 Stars: A Special Golden Star added!




πŸ˜ƒWow, what a fantastic read from beginning to end!
Can’t wait to dive into book two!

This novel is a thrilling ride full of action, mystery, intrigue, and just the right touch of romance.
The main character is smart and relatable, surrounded by a clever and likable crew of friends. It’s a brilliant debut that promises a series packed with excitement and curiosity.

Christian Cameron, who was new to me until now, paints a Venice that goes way beyond the usual gondolas, canals, masquerades, and grand palaces.
Instead, it’s a tangled web of spies and secrets where actors, opera singers, nuns and monks, swordsmen and dance instructors, noble politicians, underworld thugs (the “Bravi”), and foreign Venetians all play their part in a dangerous, never-ending game.


______ THE PLOT IN A NUTSHELL: Venice, 1651.
Richard Hughes, an Englishman once a soldier for King Charles and later enslaved as a rower on Spanish galleys, is now a free man thanks to a Venetian general who saved him.

In Venice, he works as a fencing master, living a modest but peaceful life, at least until a woman pulls him into a dangerous investigation.
The Red Mask is targeting the city’s Libertines, and Richard, along with a mix of old and new allies, must unravel a conspiracy stretching all the way to the Vatican and beyond...


_________ ********* _________
πŸ˜ŠπŸ‘Œ Here’s what hooked me on this book:

1_ First off, the MAIN CHARACTER’s charm, wit, and self-deprecating humor. ---> RICHARD HUGHES, or “Riccardo Huze” to Venetians, also known as “The Blade,” is an unforgettable hero.
He’s a former soldier of King Charles during the English Civil War, who survived brutal slavery as a galley rower and now earns his keep as a master swordsman.
He’s smart, seasoned by war and life, but never arrogant and always joking at his own expense and deeply human. He’s not your typical flawless detective; instead, he’s persistent, learns from mistakes, and approaches the shadowy world of secrets with the honesty of someone who’s seen the worst.
---> Told in first person, the story really let me connect with Richard’s feelings, struggles, dreams, and triumphs.


2_ The BREAKNECK PACE and vivid descriptions of 17th-century sword and dagger combat.
---> HISTORY and THRILLS
The story moves fast:

What starts as a simple kidnapping of an innkeeper named Maria quickly spirals into a vast conspiracy involving the highest powers in Venice and the church.
The ties between the “Libertines,” Jesuits, and the Venetian Inquisition create a complex and gripping plot.

---> Venice in 1651 isn’t painted with the usual grand images of architecture, foggy canals, or mysterious masks. Instead, we see secret meetings, banned books, harsh crackdowns, and a constant fear of being discovered.
---> Even though the mystery itself wasn’t the author’s strongest point, the tense atmosphere, the chase for the truth that always feels just out of reach, and the nonstop action kept me hooked until the last page.


3_ The sense of BOND and TEAM SPIRIT that grows between Richard and his friends and new acquaintances, forming an awesome group ready to catch the villain.
--> I’ve always loved stories about friendship, trust, and teamwork whether in movies, shows, or books and this one has it in spades.
I’m really hoping to see all these characters again in the next book as part of the “Huze team” !!
--> At first, the huge cast of characters was a bit overwhelming: so many names, some fictional, others real historical figures, had me confused at times.
Luckily, the author included a handy character list at the start, which helped me keep track. After about a fifth of the book, I didn’t need it anymore.


The SIDE CHARACTERS fall into 3 groups:

- Richard’s close friends
- Powerful figures pulling strings in Venice
- The villains

Despite the large number of characters, the author gave each one enough depth for me to feel connected. Not only descriptions of their looks, but sharpe description of mannerisms and dialogue brought them to life.


Some HISTORICAL FIGURES I especially enjoyed researching further:

_ Bondì di Mazo, a Jewish fencing master, fascinated me the most.
Deeply rooted in Venetian fencing history, he published a famous 1696 treatise, "The Master Sword," detailing the art of sword (and dagger) fighting—the foundation of modern sport fencing. The story doesn’t mention this treatise but instead focuses on a book by Maestro Cavalli (who also really existed). Richard learns a new defensive and offensive move from this book, which he then demonstrates in a duel and my excitement was off the charts!!!
Cameron opened a door to a world I hadn’t explored before, even as a great fan of The Musketeers ( by Alexandre Dumas ).

_ Francesco Morosini, Richard’s protector and a real Venetian general who later became Doge, is another fascinating figure.
Fun fact: I found out he hated women but adored his cat so much he took her to battle and had her stuffed after she died to keep her close.

_ Among the Libertines (free thinkers opposing dogmatic religion and supporting natural morality), we meet Francesco Loredan and the cloistered nun Arcangela (Elena Tarabotti), a writer defending women’s rights and librettist of an opera satirizing male abuses.

-----> The historical details are never dull. Christian Cameron could easily be a top-notch adventure TV writer. That’s my taste, but every reader has their own, so judge for yourself if this novel’s for you.

πŸ˜’ My only slight disappointment was the main villain, who felt underdeveloped. The author hints at his past, but I couldn’t tell if his actions stemmed from revenge or madness.
His downfall happened too quickly compared to the chaos he caused. Still, this story gripped me so much I’d recommend it a thousand times over.


IN SHORT:
WHY PICK IT UP?
Cameron blends real historical figures like Francesco Morosini and Bondì di Mazo with fictional characters so seamlessly that 17th-century Venice truly comes alive.
---> The tone is light and humorous, perfect for anyone wanting a thrilling mystery without too much gore, but packed with action and a hint of romance.

It’s the FIRST book in a series but you can easily read it as a STANDALONE, in fact it stands well on its own, giving a satisfying ending for the characters and plot.
Cameron teases Richard Hughes’s next adventure and a new character debut, and I’m already eager to see what’s next!

Thanks for reading my thoughts! I could go on and on, but I’ll stop here before this gets too long. 😊!

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Throughout the narrative, I wasn't able to fully get behind her character as some other readers did.
This wasn't because she was a killer (which the book justifies by saying she was eliminating traitors who would bring only war and ruin to the Venetian people), but because her painful past had made her so cynical that she almost always put herself first.

More than that, despite her feelings for Bastiano, she not only did her job by sleeping with other men, but she clearly relished it. I mean, for her, it wasn't just a job, it was also a pleasure.
She enjoyed the physical intimacy and and emotional complicity with some of her clients immensely, from the dinners and private conversations to the parties and, ultimately, every single moment of the sexual act. It seemed to me that she was at least a little infatuated with others as well, and I perceived this as a sort of emotional betrayal of Bastiano.

I can accept the physical infidelity in this situation because it was part of her job, but the emotional betrayal is unacceptable if we're talking about true love for Bastiano.

What's more, I didn't feel particularly moved by the chapters detailing her painful past.
I was more bothered by the pity she felt for herself than the pain she experienced due to the horrific deaths of others. Ambition and self-centeredness have been part of her character from the start.

Looking at it objectively, it's clear that the protagonist had to be tough and ruthless; she couldn't have survived in her profession otherwise. However, this made me follow the story with curiosity and complete fascination, rooting for Bastiano instead of her.

  • _____ BASTIANO is a charming, intelligent and handsome young man. He enjoys playing the part of the carefree charmer who seduces women with just his knowing smile, but deep down, he's a good soul, kind, devoted, and protective.
    While he could have many lovers, he doesn't. He is jealous of the other men, and it hurts him to see them with Valentina and to know that she'll share a bed with them, but he never becomes possessive. He expresses his jealousy in a healthy way and wants to share his life with her, even though the customs of the time only allowed firstborn sons to marry and produce heirs.

    You might think that a man who accepts this kind of relationship is weak, but that's not true. It is his strength of character that allows him to stay by her side even when things get difficult and everything seems dark and uncertain.

    He's willing to sacrifice his life to save the woman he loves.

    I was worried about him right up until the end, because the story takes so many unexpected turns, and it's hard to guess what the author will do with this character, who became the one I cared about most in the whole book.


  • As the story unfolds, we also meet some of Valentina's clients, other courtesans (including a very close friend), and, naturally, the "villain" of the moment.

    Each character has well-defined personality traits, which made them either likable (making me fear for their safety) or loathsome, and which skillfully added depth to the picture of Valentina's life, thus lending meaning to her choices and her mistakes.


    __ THE MYSTERY PART ___


    The mystery is compelling and kept me guessing until the very end, though I have to admit there were a couple of somewhat predictable moments.

    The most fascinating parts of the book are the characters and the way they navigate blackmail and try to expose a dangerous plot. The intriguing setting of Venice is equally important, acting as a third main character: glittering, powerful, decadent, and perilous.

    Moreover, the author's writing style is perfectly balanced, never too wordy, never too brief, always managing to intrigue and engage you, making you feel like you're right there with the characters.


    _____ HISTORICAL BACKGROUND ____


    While the story of Valentina and Bastiano is fictional, the author presents the real world of courtesans, the "honest courtesans," with considerable skill. These women distinguished themselves from ordinary prostitutes through their extensive education, refinement, and comfortable way of life.
    Since women of "patrician families" weren't allowed to read or study, wealthy and noble men turned to courtesans not only for sexual gratification but also for companionship at events and parties, and to have someone they could converse with as equals. The politics of the era and the system of government in the Republic of Venice, the famous Serenissima, are also explained clearly and concisely, which greatly helps the reader understand the roles of certain characters and the kind of power they possessed or sought.

    You can find additional information in the author's fascinating HISTORICAL NOTES at the end of the book.


    ___ WHO SHOULD READ THIS? ___


    Although it touches on themes of sex and murder, this is actually a "clean" read, with CLEAN LANGUAGE and NO GRUESOME DESCRIPTIONS.
    The intimate scenes are always depicted elegantly and never descend into vulgarity.

    If you enjoy historical settings that are true to life and want something different from the usual stories set in England or America, if you want a romance that's not just about romance but also filled with intrigue and dark secrets... then this book is for you.

    ----> I found the ending satisfying, although I would have preferred a more traditional happily-ever-after. However, I realize that would have felt unrealistic and improbable. Don't worry, it's still a positive ending.

    This is the first book I've read by this author, but it definitely won't be the last. I'm eager to explore her other novels!!

    Thank you my friends for reding my opinion, I hope this helps you choose your next read!


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    Friday, February 28, 2025

    Book review : The Four Horsemen by Gregory Dowling

    The Four Horsemen
    The Alvise Marangon Mysteries book #2
    by Gregory Dowling

    GENRE: #Historical-mystery
    My rating: ★★★★★+ 1⭐ Special Golden Star

    Beyond the 5 Stars: A Special Golden Star added!



    A gripping Venetian mystery with surprises at every turn 8 and I really want a 3rd book in the series !! ).

    Why I LOVED IT in few words :
    - gripping mystery from the first to the last chapter
    - nice, witty and smart main character
    - interesting and nice and quick-witted recurring side characters
    - evil villains you can't wait to see punished
    - chucklesome and lively dialogues that manage to make the reader enter the souls of the characters
    - fascinating backdrop of ancient Venice with engaging but never too long descriptions (as sometimes happens to those who write historical fiction)
    - lots of true history cleverly interwoven with fiction
    - happy ending without leaving annoyingly unresolved issues, but still fueling the hope of reading not just one, but many sequels !!!
    - useful italian and Venetian words glossary available

    __ THE PLOT IN A NUTSHELL ___ __ Mid-18th-century Venice.
    Alvise Marangon, a young man born in Venice and raised in England by his actress mother, lives in his hometown earning a living as a cicerone (tour guide) together with his friend Bepi the gondolier. He also has a second secret job: he is a secret agent for the Missier Grande, one of the powerful figures who control justice in the Venetian Republic.
    Summoned by his superior to investigate the suspicious death of another agent and a possible secret society whose political and subversive objectives are unclear, he finds himself entangled in a deadly game of nocturnal meetings, murders, disappearances of works of art, bewitching and dangerous noblewomen and sadistic spoiled offspring.

    The very life of the Republic is in danger and the risk of new wars with the Greeks and Turks is one step away from the hard-won peace.

    Fortunately he can count on his shrewdness and skill to improvise, as well as on his laconic, but intuitive ,acute and faithful friend Bepi, on the lovely and also smart girl he loves (but who he has not yet managed to conquer) Lucia and on the erudite and good father of Luicia, the bookseller Fabrizio.


    ___________**********_____________

    ---> Fluid WRITING STYLE that makes reading easy and smooth, but at the same time knows how to keep the reader's interest alive not only regarding the investigations and the mystery but also the personal life of the main character, who often finds himself living in dangerous and tangled situations even on an emotional level.

    --> While this mystery is perfectly READABLE as a STANDALONE, it would be a shame not to start with book #1.
    In fact, if you read this novel after the other, you will have a greater understanding of Alvise and his friends, not only in terms of character, but above all regarding their lives and the world of Venice at that time.
    Reading book #1 ( Ascension ) first, will give you a greater enjoyment of the story of book #2.

    This second episode in "Alvise Marangon mysteries" is a FULL 5 STARS to me, I have no complaints about it, not even the smallest.

    The character of Alvise is captivating, the recurring characters are pleasant and always useful to the investigations (including the lively and clever children who play in the mud and that he often uses to send messages or ask for information... they remind me a little of Sherlock Holmes' "Irregulars").
    The adventures are always exciting and fast-paced.

    I won't dwelt on the description of the CHARACTERS and how they are portrayed in an excellent way so much so that it seems like you really know them, I will not even dwell on the fact that Gregory Dowling, a writer and professor of Anglo-American literature who has lived in Venice for many years, is able to literally transport the reader to that time and place as if we were in a time machine, but as a reader who loves historical thrillers I assure you that it is worth reading the two books in the Alvise Marangon series.

    ---> The LENGTH OF THE BOOKS is also PERFECT: not too short (where we often do not have enough details and insights) and not too long (where the writers often divert the discussion into a thousand other preambles and superfluous descriptions, boring and making you lose the thread of the main story).


    Reading SUITABLE FOR ALL AGES from 14 years and up:
    - Clean language
    - 1 sex scene, but not described in detail.
    - 1 brutal killing, but not described in gruesome detail (trust me, this is coming from someone who hates horror and bloody details)

    I sincerely hope that Mr. Dowling is writing book #3 for this wonderful series.
    The premises for writing other exciting episodes are all there and I hope that the series can soon be translated into Italian too.
    I am Italian, I like reading in the original language, but I am sure that Alvise Marangon and his mysteries would also be very popular with Italians who do not know English.

    Thank you for reading my opinion.
    Even though English is not my language, I hope I was able to explain myself well and to have been helpful in choosing the book.

    READ ALSO MY REVIEW about the engaging prequel:

    ASCENSION, book #1 in Alvise Marangon mysteries by Gregory Dowling



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    Thursday, February 20, 2025

    Book review : Ascension by Gregory Dowling

    Book cover of Ascension by Gregory Dowling

    Ascension
    The Alvise Marangon Mysteries book #1
    by Gregory Dowling

    GENRE: #Historical-mystery

    My rating: ★★★★★+ 1⭐ Special Golden Star

    Beyond the 5 Stars: A Special Golden Star added!



    Wonderful and gripping mystery!

    It's a pity the author was lazy enough to include only a few meager lines as historical notes, when he could have enlightened the reader in a better way.
    As for the mystery itself, the main character, the side ones and the setting, my rating is 5 full stars, I really loved it !!!!

    ---> If you like historical settings and Italian city like Venice, I recommend it!

    Readable as a standalone, since it leaves nothing hanging, but there is also a book #2 ( series : The Alvise Marangon Mysteries ), which I already own and will read as soon as possible.

    ____PLOT IN SHORT ___ Republic of Venice, 1749.
    The city is under the Dogeship of Pietro Grimani ( 1741-1752 ).

    Alvise Marangon is a young man born in Venice, but raised by his mother, a theater actress, in England.
    Returning to Venice to try his hand at art, after a couple of years he decided to earn a living as a tour guide (cicerone, is the old Italian word), working in tandem with his faithful gondolier friend Bepi.

    Thanks to Alvise's perfect bilingualism, they work exclusively with English tourists.
    One day they take on a boy and his tutor as clients, both interested in esotericism and who will meet mysterious and suspicious people, dragging Alvise into a network of murders, criminals, blackmailers and spies.

    In fact, one of the greatest authorities in Venice will demand that Alvise become an agent in his service, under penalty of prison on false charges.

    Days of investigations, disguises, kidnappings, escapes and fortunately also desperate rescues will follow, until Alvise, with the help of his friends, will find the truth.

    ___****______ **** ______


    __MAIN CHARACTER ___ The story is told in the first person by Alvise, who is a sunny, spontaneous, lively character with a subtle irony that makes reading fun, even in moments of great tension.

    The humor is never forced or exaggerated to be annoying, on the contrary it is well-dosed by the writer with wit and fully conveys the way of being cheerful and so little inclined to worry about the consequences of words and actions, of the main character.
    Alvise will not fail to make you become his fan.

    In addition to his sympathy, he proves to be a witty and enterprising guy, full of affection towards his friends and generous to the point of wanting to help even when it would not be convenient for him.

    His only flaw is perhaps his loose tongue, he cannot hold back his sarcasm even in front of the authorities and despite having taken a vow of secrecy, he cannot help but be sincere.
    Well, I also liked him for this!

    ___ SIDE CHARACTERS___ They are divided into 4 groups:
    - the small circle of people dear to Alvise
    - the authorities with whom he is forced to collaborate
    - the clients
    - the evil ones

    Each character has their own peculiarity and each of them (even those that in a film we would call the extras) is useful to make the story more fun, more intriguing, more mysterious, more exciting, more suspenseful ... depending on the case and the moment.

    I find them all well described and vivid, so much so that I almost believe I really know them.

    ___ DIALOGUES__ The dialogues are well written and thanks to the description of the tones of voice we can perfectly imagine the characters while they recite their lines, something that helps to define the atmosphere of the moment, whether it is light or threatening and full of suspense.

    ___ SETTING ___ In this case the city becomes the co-protagonist of the story.

    Its beauty is made of luxurious palaces with foundations in the water, significant monuments in the history of the ancient republic and still existing nowadays, lagoons and canals on which gondolas and boats of different types parade day and night, fabulous and large squares where the festive crowd pours in full of colors and masks, dark nights in which only few lanterns reveal the human figures hidden under tricorn hats and cloaks...

    Dowling's descriptions take you directly to the first half of the 18th century of the Venetian Republic and you can enjoy its timeless charm to the full while reading the book.

    ___MYSTERY____ It seems more complicated than it is, but until the end the reader remains wrapped up in uncertainty and doubt.
    Perhaps I was more fascinated by Alvise's way of operating and the constant trouble he finds himself in, rather than by the mystery of the murder.
    ---> I mean, I was so caught up in the whole adventure that I wasn't focused on wanting to know who killed who at all costs. I think that the strength of this thriller is precisely this and I think that a good film director could really make a great movie out of it!

    There are several characters who are not who they say they are so the twists and turns alternate with the theories that the reader is led to hypothesize, in this way you get to the end of the book without ever having a boring moment.


    __ YOU HAVE TO KNOW THAT ___ There are several words in the book that necessarily had to be written in Italian and Venetian, just to make the story more impressive and suggestive, but the author has provided a GLOSSARY, located AT THE END OF THE BOOK.
    It is very useful even for me, because despite being Italian I do not know the Venetian words.

    ___ HISTORICAL NOTES: unfortunately, they are only a few lines and to know the basic history of the characters who really existed and the politics of Venice and some objects mentioned in the book by name (such as the "Marangona" and the "Bucintoro", but which are not explained during the story or in the glossary and you will have to search for them yourself on the web.)
    In a novel in which fiction merges with true history, historical notes by the author are important to me.
    I always feel a little disappointed when they are missing or almost that.

    RECOMMENDED READ ?? Off course yes, to all mystery lovers, even to those who love "cozy mysteries" because:
    - there are no bloody scenes
    - the language is clean
    - there are no sex scenes


    Thanks for reading my opinion and sorry for my English, I'm from Italy.

    READ ALSO MY REVIEW about the very well written and gripping sequel:
    THE FOUR HORSEMEN , book #2 in Alvise Marangon mysteries by Gregory Dowling
    .

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    Tuesday, February 13, 2024

    Book review : Scherzo by Jim Williams

    Book cover of Scherzo by Jim Williams
    Scherzo
    Murder and Mystery in 18th Century Venice
    by Jim Williams

    GENRE: #Historical-mystery

    My rating: ★★★★☆
    Actually 3,8 stars rounded up to 4.

    HAPPY MARDI GRAS EVERYBODY !!!

    A week ago I was looking for a Carnival-themed mystery or at least in which Venetian masks had an important role, given that in Italy we are celebrating Carnival ( started on January 28th and ending today February 13th, which is Mardi Gras).

    I chose this book and perhaps it's the strangest mystery I've ever read and if there hadn't been some bad scenes and a couple of chapters, I could have given it 5 stars.

    ___THE PLOT ___
    Ludovico the German, a young 21-year-old eunuch, actor and singer in 18th century Venice, is hired by a Venetian nobleman, Signor Morosini ( Mr. Morosini) as a singing teacher for his daughter and as an entertainer in evenings with guests.
    One evening, after a dinner attended by several aristocratic people, he and Monsieur Arouet, a French philosopher, heading home, discover a corpse with a mask and cloak, hanged from a bridge.
    It soon turns out that the dead man was a nobleman, a friend of Mr. Morosini and part of an important political body, the Council of Ten, which had an important role in the management of the Republic of Venice.
    Among the alleys and canals of Venice, among the gambling houses and other vices and the political and religious intrigues, in pursuit of enemies or chased by enemies, the French philosopher and his new friend Ludovico will try to unravel the mystery and bring the truth to light.

    The eighteenth-century setting fascinated me and I liked the fact that an actor-singer was narrating the story even more.
    The inclusion of other historical characters increased my enthusiasm for reading as I proceeded with the story told. However, as I already mentioned, I would have shortened some chapters or even avoided them altogether and I would have avoided some crude scenes in the final part.

    ___ WHAT I LIKED __

    __LUDOVICO, THE MAIN CHARACTER__ I really liked the main character, who tells firsthand most of the events that led to the discovery of the body, its investigation and the solution.
    Ludovico is a boy of only 21 years old, with a lot of life experience on his shoulders.
    The fact of being a eunuch ( in those days young singers were emasculated before puberty, in order to maintain a high-pitched voice in adulthood), having had a hard life and having suffered abuse and being despised by society as a person, because neither man nor woman, did not undermine his good heart and soul.
    In a story where the Venetian society of the time is portrayed at its worst, Ludovico and his humor and self-irony always managed to put me in a good mood.

    ___HISTORICAL FIGURES ___ The nice surprise was the participation in the story of 3 very famous historical figures, but since the whole plot takes place in the balance between truth and illusion (as is also the function of the masks), the author does not reveal the 3 official names to us well known throughout the world, but the real names of the 3 men. So if it had not been for my passion to check everything on Wikipedia, I would not have known about these 3 historical figures until the end, when the author reveals it.

    - The first historical figure of the three I mentioned, leads the investigation and makes Ludovico his assistant.
    I'm speaking of Monsieur Arouet, a French philosopher , better known to the world as VOLTAIRE. In this book you will be able to read some of his real letters.

    - Many films have been made about this historical side character. In this novel he is a good friend of Ludovico and his adventures are intertwined with some characters indirectly and directly involved in the crime.
    I'm speaking of Jaque De Seingalt, a great Italian seducer and libertine, very well known to the world as CASANOVA.
    In his memoirs, written in French as was the fashion of the time, they report his full name: Jacques Casanova de Seingalt.
    We find some extracts right here in the story

    - The third historical figure I was referring to it's someone that seems to help the investigation with his knowledge, but actually he adds even more fog and illusion to a plot that is deliberately complicated and misleading for the reader.
    He has a smaller role than the others, but I liked the inclusion because in real life, he was imprisoned and died in a stronghold which is located a few kilometers from where I live and I have visited it many times. So I know this character since I was child.
    I'm speaking of Signor Giuseppe Balsamo, an Italian occultist, alchemist ( and many other things, including to be a charlatan), known in the world with the name of COUNT OF CAGLIOSTRO.

    __ THE INTERTWINING OF THE MYSTERY __
    Although at the beginning the book started with several chapters that seemed unrelated to each other and it took me at least 15% of the novel to be able to orient myself and fully get into the story, I must admit that the mystery plot was well thought out and the author managed to connect all the threads of the canvas in a skillful way.

    I happened to read some whodunits with a complicated plot, where the author himself got lost, failing in the end to give a probable solution.
    This is not the case: here everything adds up and the air of confusion that reigns is only a trick of false truths and illusions that the author wants to insert into his story.

    ___ WHAT I DIDN'T LIKED __

    -- The main narrator of the whole story is the young Ludovico, but his narrations are alternated with letters from Mr. Arouet to his nephew, from Signor Feltrinelli to his sister, from an elderly countess to an old lover of hers and extracts from Monsieur Jacque De Seingalt's memoirs.
    Letters and memoirs were a little too long and a bit boring to me.

    -- I knew that this wasn't a cozy mystery and therefore I could expect something more raw... but there are some scenes in one of the final chapters of the book, which are truly disgusting ( they represented imaginary scenes from Hell... and that is not my cup of tea !!!).
    I read them quickly, but if they hadn't been there at all I would have preferred it and also it wouldn't have damaged the intrigue and mystery.

    -- The depravity of Venice at the time told in a non-vulgar but quite clear way, in long sex-scenes that I would have preferred to be shorter... it was boring

    -- You will have noticed that in my review I use the words Signor and Monsieur... this is because the author himself, in his book written in English, inserts not only these two words in Italian and French, but really MANY Italian words, typical of the place and time, but also not typical (and which he could therefore translate into English), many references written in French and also in Latin.
    ---> I am from Italy and of course I had no problems with Italian words.I also speak French and had no problem with that either.
    Luckily Latin had the translation in a note, BUT THERE WERE NO NOTES WITH TRANSLATION for the dozens and dozens of Italian words inserted... how can an English-speaking reader read a book with foreign words inserted almost on every page and of which he doesn't know the meaning?
    I have read books with medieval and Victorian settings that contained a small vocabulary for the words used at that time, so that the reader could fully understand everything.
    In my opinion the publisher and the writer were negligent in this case.

    __ IN CONCLUSION __
    If I had read a review like mine before choosing the book... I WOULDN'T HAVE READ IT, because of the things mentioned among those I didn't like... also I really hate long length books.
    But I have to admit that now that I've read it, overall I liked it.
    --> So before marking it on your WTR shelf or discarding it, think carefully.

    NOTE : English is not my native language, I hope I was still able to explain everything in an understandable way.


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    Book review : The Duke of Shadows by Meredith Duran | A Rollercoaster of Raw Passion and Deep Disappointment πŸ’–πŸ’”

    The Duke of Shadows by Meredith Duran GENRE: #HistoricalRomance #HistoricalFiction #OpenDoorRomance #St...